The Scarabée brooch

Lorenz Bäumer’s design studio and showrooms on the Place Vendôme are concealed from prying eyes by a double set of bank vault doors.

Until recently Mr. Bäumer himself was something of a hidden gem in the jewelry industry. Working anonymously, he designed pieces for major luxury brands like Cartier, Gucci, Hermès, Breguet and Piaget before joining Chanel in 1989. At Chanel he plied his trade for 20 years while also developing his own signature lines, starting with costume pieces and working his way steadily up the fine jewelry ladder.

In 2009, he moved from Chanel to Louis Vuitton, becoming the luxury brand’s artistic director for fine jewelry, with the challenge of lifting it into the top echelons of haute joaillerie.

Heartbeat bracelet


Working simultaneously for big name brands and his own label has been both a pleasure and a challenge, he said, “because you want to make sure that the styles don’t get mixed up between what you are doing for yourself and what you are doing for different houses.”

Born in Washington, Mr. Bäumer spent his youth traveling the world with his German diplomat father and French mother. He graduated from the École des Arts et Manufactures in Paris with a degree in engineering but was already captivated by the world of jewelry design. Even as a child, he says, he would make rings out of champagne corks and wire.

The competing attractions of science and art are reflected in his eponymous Lorenz Bäumer collection, a set of three lines, each with a distinctive personality: Called poet, gardener and architect, they range in spirit and style from romantic sensuality to neo-deco geometrical.

But one thing they have in common is a little touch of the unexpected.

Lucky Charm ring


A gold “Lucky Charm” ring, adorned with seemingly classic diamond-embellished good luck symbols — shooting stars, four-leaf clovers and figure eights — has a heart-shaped garnet hidden where no one but the wearer would know it existed. A scarab brooch has bejeweled wings that open to reveal a porous black aluminum body that can absorb and release perfume.

“Everybody wants to be blown away now,” the jeweler said. “There is so much jewelry around that people are really looking for something that surprises them, something unusual.”

When Mr. Bäumer is not at work in his office, he is likely to be traveling the world in search of new stones to inspire him — or trekking to a beach with his wife and three children to indulge his other passion, surfing.

What he cherishes most about being an independent jeweler, he says, is the freedom it gives him to do what he wants.
“For me, the important thing is not the price point, it’s falling in love with an idea and saying ‘let’s do it’ without calculating the costs,” he said, adding “those are usually the things that sell the easiest.”

Mikado pavée ring in white gold


Looking toward where jewelry trends are headed, he sees consumers moving away from the sweet, flowery pieces that dominated the industry during the 1990s and early 2000s. The use of modern computer technology, he predicts, will encourage a shift toward a more geometric style, while soaring prices for precious metals and top-quality gemstones will encourage continued experimentation with new alloys, often matched with large semi-precious stones like rubellite, tourmaline, and beryl.

“What is really interesting about designing jewelry are the boundaries,” Mr. Bäumer said. “If anything is possible, it is too easy. What is really interesting is seeing how far you can push those boundaries.”

Interview Lorenz Baumer from STONED on Vimeo.

I went to the Biennale des Antiquaires in Paris last week and Nowness.com asked me to write up my thoughts on the distinctive Van Cleef & Arpels stand. So here is my article. But you should check out the link to the Nowness.com website because they have got a beautiful slide show of some of the designs running with the copy.

The French High Jeweler Unveils a Fantastical Collection at the 25th Biennale des Antiquaires
Crossing the threshold of the Van Cleef & Arpels stand at the 25th Biennale des Antiquaires in the Grand Palais can be a slightly daunting experience. In the small foyer, a quartet of golden sculptures stand like silent sentinels, representing four works by Jules Verne. It’s a striking way to initiate visitors into Les Voyages Extraordinaires––a collection inspired by the science fiction author’s novels Five Weeks in a Balloon, A Journey to the Center of the Earth, From the Earth to the Moon, and Twenty Thousand Leagues Under the Sea. “Verne wrote about breaking barriers and traveling to unexplored territories,” says Stanislas de Quercize, the president and CEO of Van Cleef & Arpels. “We wanted to do the same thing with this collection.”

Each unique piece in this vast array of treasures took hundreds of hours to complete, and in keeping with a growing trend in high jewelry, many are multifunctional: a necklace carved from chalcedonies has two reversible medallions, featuring a penguin and polar bear on one side and abstract icebergs on the other; a brooch of lapis lazuli is encircled by a movable diamond rocket. Renowned Argentine theater director Alfredo Arias created a set that transports visitors into the heart of each of Verne book’s fanciful universes: in one room a hot air balloon displays a necklace of opal orbs designed to recreate a view of the plains of Africa, while another room is transformed into a silver submarine, its portholes displaying a diamond-covered seal clip encircled by a school of sapphire fish.

Need a quick rundown on the best bijoux from the Biennale? Here are my thoughts which are running on the nowness.com right now!

The Biennale des Antiquaires at the Grand Palais in Paris is where all the big boys of the art, antique and high jewelry worlds come together to show off. This year marks the 25th edition of the event—here’s what gleams in our eyes.


Cartier

Master sculptor Philippe Nicolas (who has now officially joined the house) causes a stir with his trio of panthers carved from blocks of petrified wood, their emerald eyes sparkling against an outline of diamonds. The animals are mounted on a necklace of black onyx and diamonds, a bracelet of pearls or a diamond cuff.

Harry Winston

Royal gardens are the inspiration for Harry Winston’s collection, but it is an abstract theme. What stands out are the stones: big, bold and beautiful, the settings are designed to let the double-digit-sized gems take center stage. The unexpected hues––bi-color watermelon tourmalines and rich red spinel––give the jewelry an added depth.

Piaget
This is the first year Piaget has participated in the Biennale and they make quite a splash with rings sculpted to look like real cocktails––a mojito built from a cushion-cut green tourmaline, its slice of lemon a carved citrine; a “Sex On the Beach” made of a pink tourmaline, with a peridot lime. Also debuting is a new line of rings inspired by cupcakes
––the green chrysoprase version of the classic baked treat costs about €10,000.


Chanel

Chanel shows a collection of classic jewels dominated by clear white diamonds. Snowy plumes embellishes the display windows and there’s a feather-light touch to the designs, all growing organically from a diamond plume pin that Coco Chanel created in 1932.

Louis Vuitton

New kid on the high jewelry block Louis Vuitton turns to the world of travel as a starting point for its collection. Crafting a travel trunk specifically for the Biennale to display its creations, artistic director Lorenz Bäumer adds an unexpected rocker edge in the form of diamond-covered guitars, safety pins and a necklace of musical notes.

Dior

The prevalence of knuckle-duster cocktail rings in light bright colors and carved gems at the Biennale––currently a hot jewelry trend––is indicative of the influence of Dior Joaillerie designer Victoire de Castellane. This year Dior introduces 13 new pieces, including a show-stopping turquoise ring wrapped in diamond-headed snakes.

Don’t be deceived by the plain facade of the jewelry store Revantic. It is just the means used to better blend in with its 16th arrondissement surroundings. It also subtly keeps at bay those who aren’t as committed to the power and beauty of gems as the store’s owner Esther Laporte.

A whippet-thin redheaded beauty of a certain age, Mrs. Laporte came late in life to the trade of a jewelry merchant. After spending 20 years working as a psychoanalyst, she decided, in 1999, to open a store dedicated to her enduring obsession for exquisite stones. Amassed over a lifetime, her collection ranges from a Byzantine cross to modern pieces that she designed herself using gems culled from the four corners of the globe.

There is no rhyme or reason to the styles, decades or designs of jewelry for sale at Revantic, other than Mrs. Laporte’s commitment to pieces that use gems in stunning colors and of the highest quality. Her passion for her precious jewels has kept Mrs. Laporte from selling pieces she feels aren’t right for a particular buyer. But by the same token she admits to dropping prices on other designs when she sees her love of a jewel mirrored in the eyes of the customer sitting across from her. So if you feel yourself worthy, why not step into Mrs. Laporte’s inner sanctum and revel in a world of vintage and modern jewelry just waiting to be discovered. Revantic, on avenue Victor Hugo, will soon have a Web site, www.revantic.com.

A hot new jewelry label with the cute name of CA&LOU is becoming a veritable “go to” brand for fashion followers who love bold costume jewelry on a budget. The idea for the line comes from two women who have been friends for a decade, Carolina Neri of Italy and Bérengère Lux of France. The collection started with a single ring that the women designed together. They then forged two copies of the ring, one for each of them to wear. In fact, the name “CA&LOU” is an abbreviation of Ms. Neri’s first name and “Lou Lou” the nickname for Ms. Lux.

Both woman have day jobs working in the fashion industry as a fashion stylist and as a fashion business consultant, respectively, and it was the positive reactions to the ring from friends and colleagues that motivated them to branch into designing a line of affordable jewelry.

The collection, which includes rings, earrings, necklaces and bracelets, has been inspired by the costume jewelry of the 1930s and ’40s, and is crafted entirely in Italy by Milanese artisans. By using semiprecious stones like malachite and onyx, Swarovski crystals, enamels and metals like silver and bronze dipped in pink gold, the designer duo has been able to keep prices reasonable, with most pieces costing between €300 and €1,200, or about $380 to $1,500.

The choice seems to be working for the brand, as its distinctive-looking jewelry has already garnered fans in fashion tastemakers like Margherita Missoni and Giovanna Battaglia. Less than two years old, the collection is already being carried by fashion-savvy stores like 10 Corso Como, Browns, Montaigne Market and Saks Fifth Avenue.