🎙️ Mary Vogt
The art of a costume designer is to tell a story without saying a word. So let’s just get this straight right from the start, Hollywood costume designer Mary Vogt has spoken volumes over her impressive career. One that is filled with spellbinding sartorial stories that have stood the test of time. Because let’s face it, it doesn’t get more iconic than having the ensembles you designed for a film become tentpole cosplay outfits and Halloween costumes for generations.
Mary Vogt
Mary is the mind behind the amazing costumes in the staple Halloween film Hocus Pocus that starred Bette Midler and Sarah Jessica Parker. She is also the woman who came up with Michelle Pfeiffer’s unforgettable Catwoman suit in Batman Returns. And she made “I make this look good” Will Smith and the rest of the Men In Black team look sharp and sleek over the span of the three MIB films. And for those of you who are more interested in fashion-focused feature films, well then you can thank Mary for bringing you Crazy Rich Asians. Arguably the most fashion-loving film of recent memory, filled with one unforgettable designer outfit after another.
From a very young age, Mary knew that being a costume designer was her calling. While everyone else in her theatrical hometown of Long Beach, Long Island wanted to be an actor and stand center stage in the local theater troupe, Mary was only interested in creating the costumes. After high school, she attended the Fashion Institute of Technology in New York and then later she went to the Art Center College of Design in Pasadena, California. She quickly realized that instead of being a traditional fashion designer, her creativity was sparked by a good story or character which she could then build a wardrobe around.
Mary eventually got her toe in the door in Hollywood as a sketch artist and then eventually got her first big break working alongside Bob Ringwood on David Lynch’s epic film Dune and would work with Ringwood again later, but this time as his co-designer on Tim Burton’s Batman Returns. And we all know what costume came out of that collaboration.
With close to 50 costume designer film credits under her belt, Mary is at the top of any Hollywood director’s list. Her expert ability to use clothing to help her directors advance their story or the underlying message they want to subconsciously communicate with their audience is highly sought after. All you have to do is take a look at her most recent collaboration, with Gina Prince-Bythewood, the director of the Netflix film The Old Guard - that drops today on the streaming platform - to understand just how skilled Mary is at telling a story with clothing.
Just on a technical side note, I did want to let all you listeners know that Mary and I did our interview over Zoom Video. So don’t be surprised by a couple of very minor audio issues. And if you happen to be more of a visual learner, feel free to head over to my signature YouTube channel to watch the video version of this podcast in action.
And now it's time for Mary to come out from behind the curtain and take a well-deserved bow under the spotlight and at the center stage of this podcast.
Photo: Amy Graves, for South China Morning Post.
