Jessica Michault 6/23/21 Jessica Michault 6/23/21

🎙️ Mary Katrantzou

I’ll never forget the first time I discovered the work of Mary Katrantzou. It was in London in 2008 I believe, and I just happened to wander into a room where a rack of her now-famous perfume bottle printed dresses was on display. On hand was her mother who was proudly showing off the stunning creations her daughter had dreamt up.

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And Mary’s mom had every right to be proud. Her work was unlike anything else going on in fashion at that time. Advancements in printing and computer technology had made it possible for this young woman to create architectural designs on fluid fabrics. Blending beautifully her passion for interior designs and her studies in the field of architecture at Rhode Island School of Design with her Bachelor of Arts in Textile Design and her Master’s in Fashion from Central Saint Martins. But it wasn’t just the print work that set Mary apart from the pack,it was that combined with her choice of vibrant rainbow colorways. The result was a collection that was the harbinger of the 2010s colorful print fashion revolution.

Since she started her signature brand in 2008 Mary, who was born in Athens, Greece, has found a way to modernize trompe l’oeil, help women fall in love with print and color again, and showed the world that clashing aesthetics can be boldly feminine and empowering. This is why powerful women like Michelle Obama, Cate Blanchett, Beyoncé, Lizzo, Jane Fonda, and Zendaya have all flocked to her creations.

But Mary’s success goes beyond her ability to reinvent her core design principles every season. She is a very savvy businesswoman who saw early on in her career the power that collaborating with other creatives and brands could have in expanding her reach and name recognition. Her recent partnership with the high jewelry company Bulgari on a line of limited edition bags is a perfect example of this. But so is her work with Victoria’s Secret, Longchamp, Topshop, and Adidas Original. And her recent decision to create the size-inclusive year-round holiday capsule collection called Mary-Mare also is indicative of how Mary is able to deftly read the fashion tea leaves as the industry shifts away from seasonal shows and moves into a space where smaller drops throughout a year feels more in keeping with the times we live in.

With over a decade in fashion, Mary Katrantzou is still innovating and challenging herself as a creative, and her devoted clients couldn’t be happier.

Photo from Athens Insider.

Jessica Michault 6/11/21 Jessica Michault 6/11/21

🎙️ Spencer Phipps

Designer Spencer Phipps is a born risk-taker. There isn’t a limb on his body that doesn’t have a scar from one escapade or another - that he jumped into with both feet before asking questions. The man is even missing a significant portion of one of his pinkie fingers from one memorable misadventure. And when it comes to taking risks, Spencer also has no problem doing that in business. It was, after all, an impulse decision to launch his signature menswear brand Phipps back in 2017. When, after having worked alongside Marc Jacobs and Dries van Noten, he found himself looking to make his next move and couldn’t find a fashion house that ticked all the boxes. So instead he decided to start his own.

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ezgif.com-webp-to-jpg.jpg — Spencer Phipps

Spencer, who was born and raised in San Francisco and graduated with a degree from Parsons in New York, has over the past four years created for himself a label that scratches a very interesting sartorial itch. His clothing celebrates timeless American wardrobe staples that allude to wide open places, outdoor activities, and manly pursuits. Garments that Spencer has designed so that they revere nature, appreciate the artisanal hand, and seek to leave as little an impact as possible on the planet. While simultaneously his goal is to have them hold a long-term place of honor in a man’s closet, another sustainable pursuit.

From its inception, one of the pillars of the Phipps brand has been its commitment to sustainable sourcing and responsible manufacturing. For the designer, this means both leveraging the latest technology in terms of construction and production, as well as fine-tuning a list of transparent, sustainable suppliers that he works with regularly. His fervent commitment to crafting clothing that makes an impact but doesn't leave one on the Earth is one of the reasons why Spencer was an LVMH prize finalist in 2019 and, after just two seasons, the brand was added to the official Paris Fashion Week: Menswear calendar.

But if I am being completely honest, on top of all the reasons I have already mentioned, Spencer is just a really cool guy that you always have fun hanging out with, as you will discover yourself with this interview.

Photo from GQ Magazine.

Jessica Michault 5/27/21 Jessica Michault 5/27/21

🎙️ Joseph Altuzarra

You get the sense, when you speak to designer Joseph Altuzarra, that he is that perfect combination of creativity and commerce. That as a French American, he has an innate sense of style coursing through his veins. While his American roots give him savvy business sense and a “pull yourself up by your bootstraps” attitude.

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From a young age, Joseph - who was raised by his French Basque father and Chinese- American mother - has always believed in the transformative power of fashion. A self-taught designer who got a Bachelor of Arts degree in Art and Art History from Swarthmore College, his approach to this sartorial art form has always been focused on how the clothes someone chooses to wear tell a larger story. It can be the story of who that individual is or it can be one about the person they hope to become. That clothing telegraphs a message to the world about how we see ourselves.

As luck would have it, Joseph landed an internship in the design studio of Marc Jacobs in 2004 and he went on to work with Proenza Schouler before getting tapped by Riccardo Tisci to join him in Paris and become the designer’s first apprentice during his tenure at Givenchy.

Then in 2008, Joseph returned to New York to strike out on his own. And from the moment he launched his signature brand, his work stood out from the other fashion collections being shown at New York Fashion Week. His sexy, sensual aesthetic that wove together elements of his multicultural heritage into his designs did not fit into the American Sportswear approach of many of his peers at that time.

But standing out from the crowd served Joseph well. He was honored with the CFDA/Vogue Fashion Fund Award in 2011 and the CFDA Swarovski Award for Womenswear Design in 2012. He was then named the winner of the US Woolmark Prize in 2013 and in 2014 he nabbed the CFDA Womenswear Designer of the Year Award.

Suffice to say, Joseph, with his accolades, his brand collaboration with Target, and his stint as a judge on the first season of the Amazon Prime television series “Making the Cut” turned Altuzarra into a household name. And now with his label well established in the fashion industry, Joseph is thinking about where he wants to take things from here.

In our conversation, we discuss what the future holds for this talented designer as he looks at his career from a post-pandemic perspective. A viewpoint that has been changed by the arrival of his daughter Emma and a desire to lead a balanced and intentional life. But one that will always have fashion at its heart.

Photo © Bruno Staub.

Jessica Michault 5/12/21 Jessica Michault 5/12/21

🎙️ Alisa Volskaya

I wanted to interview Alisa Volskaya, the founder of the public relations firm AVEC, for a few reasons. First of all, every time I would bump into her at a fashion show or event, our conversations about the state of the industry, future trends, and fashion in general always went well past surface chit-chat. Secondly, I was impressed by her drive and third, it just takes a lot of guts to launch a PR company during a moment when that field is in the middle of such a paradigm shift. Not to mention doing it in 2020, the year the world stood still.

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WhatsApp Image 2021-05-12 at 1.44.34 PM.jpeg — Alisa Volskaya

Alisa started out her career working at Condé Nast International in Paris and was in charge of the fashion publishing house’s digital projects and partnerships. In 2015, she became the Executive Director at Naked Heart France, a charity founded by the top model and philanthropist Natalia Vodianova, where she was in charge of international fundraising and partnerships. Then just five years later, she decided to go out on her own and launch her firm AVEC.

Alisa’s PR philosophy is right there in the name of her business - AVEC. She sees the work that she does for brands like Chaumet, Ralph Lauren, Chopard, and Balmain as a real partnership. One where her role is to be there with the companies every step of the way in their strategy journey, from conception to completion. But what exactly does that mean in the post-pandemic, social media-centric metaverse world we now inhabit? Alisa, just like every other time I have spoken with her, had some insightful and sometimes surprising answers.

Jessica Michault 4/30/21 Jessica Michault 4/30/21

🎙️ Alexandre De Betak

Consummate creative Alexandre de Betak is an industry touchpoint in the world of fashion. He is behind some of the most era-defining fashion shows, events, and exhibitions of the past three decades. The proverbial man behind the curtain, Alex has brought to life the visions of designers as diverse as Raf Simons, Michael Kors, and Gabriela Hearst, and brands big and small, from Dior and YSL to Jacquemus and Rodarte.

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Throughout our fascinating conversation, we talk about where the spark of creativity comes from, how to keep those creative juices flowing, and how Alex is instilling in his own children that desire to experiment, to explore, and to see the world, and what it could be from different perspectives. Perspectives that will help those around them also experience a moment in new ways that challenge, delight, and mesmerize.

Jessica Michault 4/6/21 Jessica Michault 4/6/21

🎙️ August Getty

Fashion designer August Getty is a gentle soul whose goal is to create a fully inclusive, fully immersive sartorial world where everyone is welcome. All that is required is that you be yourself 100% both in the real world in one of his one-of-a-kind couture creations, or in the digital sphere where he recently created a whole new virtual universe he has baptized Tinitus.

It is inside Tinitus that August brought to life four digital gowns for this past haute couture season, with 3D imagery so detailed it probably caused some of the biggest couture houses to turn green with envy. The designer spent six months creating these three-dimensional virtual gowns and he intends to expand on this concept with the upcoming couture shows this summer.

Based in Los Angeles, the August Getty Atelier has become a niche go-to fashion house for celebrities like Miley Cyrus, Cher, Katy Perry, Lady Gaga, Zendaya..and I could go on. All of them looking for outfits that are bold, unexpected, and wholly original for their galas, red carpets, and event outfits, because let's get one thing clear, August designs ensembles for maximum impact.

For August, who is an autodidact designer, the goal of fashion, which he says he has loved all the way back to “when he was in the womb” is how transformative it can be. It can make you brave and it can give you the strength to be the person you want to become. Turn fiction into reality with fashion. That is what makes it so magical and so powerful.

Jessica Michault 3/19/21 Jessica Michault 3/19/21

🎙️ Sasha Samsonova

Photographer Sasha Samsonova is generating quite a buzz with her striking images of women who are comfortable in their own skin and unabashedly sexy. A female Helmut Newton, Sasha is all about celebrating the beauty and strength of the women who stand before her lens.

Photographer Sasha Samsonova is generating quite a buzz with her striking images of women who are comfortable in their own skin and unabashedly sexy.
A female Helmut Newton, Sasha is all about celebrating the beauty and strength of the women who stand before her lens.

Born and raised in Ukraine, Sasha is an autodidact photographer who was already shooting for Harper’s Bazzar by the time she was 17 years old, having picked up a camera after her plans to become a professional ballroom dancer fell by the wayside. But her innate understanding of how the body can express emotion in the way it moves has had a direct impact on both her photography and the films and videos she is now directing in Hollywood.

Sasha has worked with celebrities like Kylie Jenner, Lili Reinhart, Khloe Kardashian, Emma Roberts, and Kate Bosworth, her images have been featured in the pages of Vogue, L’Officiel, Elle, and Playboy and she has collaborated with brands such as Google, Fear of God, and Revlon.

When you see Sasha’s work it’s all about sensual strength. And when you listen to her speak, you know that her goal in life is to make women feel as powerful as possible. And she has the photos to prove that she is doing exactly that.

Photo from Sasha Samsonova Instagram.

Jessica Michault 2/25/21 Jessica Michault 2/25/21

🎙️ Romeo Hunte

Romeo Hunte first registered on my radar in a way that I have never connected with a young designer before. He sent me a DM on Instagram during the global lockdown last year and suggested that the two of us jump on an Instagram Live to talk about the state of fashion in the throws of a global pandemic. And that is exactly what we ended up doing.

I am telling you this story because I think it perfectly illustrates who Romeo is. He always takes the initiative, he has a clear vision of where he wants his brand and his career to go. And he is open to experimenting, trying new things, meeting new people, and just seeing how the creativity all comes together to build something new and engaging.

Now just a bit of background about Romeo before we jump into our podcast interview. He grew up in Brooklyn, New York, and turned down a full athletic ride for his skills in track and field to instead attend the Fashion Institute of Technology to pursue his dream of becoming a fashion designer. He launched his brand in 2014 and then he hustled. Using his contacts via his freelance styling gigs and his full-time job as a personal shopper at a luxury retail store he was able to build both momentum and a buzz for his signature label.

And then it wasn’t long before Romeo found his statement-making outerwear on the likes of Beyonce, Dwayne Wade, or Tobias Harris. Zendaya was a very early adopter of his colorful ensembles, and Michelle Obama has been spotted wearing his tailored blazers and denim hybrid jackets.

Step by step, Romeo has been building a reputation for making cool, reconstructed pieces that take the best elements of different items of clothing and creating CRISPR-like hybrid pieces designed to get noticed. One person that early on took a shine to Romeo’s designs was Tommy Hilfiger.

The two designers have built a strong relationship over the years, and Tommy recently gave Romeo free reign to forage through his archives. Romeo took it upon himself to revisit and reinvent some of Tommy’s iconic designs and give them a new lease on life. This clever collaboration is just the beginning of the long road ahead for Romeo in fashion.

Photos by from USA Watchpro website.

Jessica Michault 2/8/21 Jessica Michault 2/8/21

🎙️ Declan Chan

Declan Chan is one of those front-row fashion fixtures that you always keep an eye out for at the shows. A fashion editor and stylist by trade, Declan has also become a favorite subject for anyone who loves to appreciate those who take the time to put together a look. Declan always looks put together, but with flare. And his outfits are just as eye-catching as the spreads he creates in the pages of publications like Vogue Hong Kong, The New York Times, the South China Morning Post, and Men’s Uno Hong Kong, or the campaigns he crafts for companies like Calvin Klein, Cartier, Estée Lauder, and Lane Crawford.

Ostensibly, Declan is based in Hong Kong, but if you follow him on Instagram, his real home, up until the pandemic, seemed to be on an airplane...or a series of hotels... as he is continuously crisscrossing the world to oversee a fashion shoot, attend a fashion week, or just be a part of all of the “you had to be there” fashion happenings.

What I like most about Declan, besides his style, is his honest, frank and often funny reflections on fashion in general and fashion shows in particular. I always look forward to checking in with him at least once a season to get his thoughts on what he saw - the upcoming trends - and even which pieces he has already put a personal order in for. Declan’s point of view is important because he has become one of the central go-betweens linking the Chinese consumer to the fashion catwalks. Communicating via his editorials a sartorial message that will shape how the Middle Kingdom sees a collection, understands a designer and ultimately, which brands they decide to invest in.

I know that once you have listened to this podcast you will be as enchanted by Declan as I am.

Photos by Hywel Jenkins for Men's Fashion Post website.

Jessica Michault 1/25/21 Jessica Michault 1/25/21

🎙️ Pascal Morand

It is hard to miss Pascal Morand when he arrives at a fashion show. Not only does he tower above most of the guests, but he is also always surrounded by the who’s who of the industry, designer hopefuls, and fashion journalists who all want to bend his ear about one aspect or another pertaining to the business of fashion. But that is what you sign up for when you are the executive president of the Fédération de la Haute Couture et de la Mode.

However, Pascal wears his title with the ease of someone who has spent years in the industry and knows it well. Having had paid his dues with tenures at both the Institut Français de la Mode (IFM) and Ecole Supérieure de Commerce de Paris (ESCP), not to mention his time as the deputy director-general of the Chamber of Commerce and Industry for the Paris region before his current job – shaping the future of French fashion.

His years teaching and his studies in Organisational Sciences at the University of Paris Dauphine have come in handy at the Fédération where he is both helping to nurture the next generation of designers who dream of showing their work during Paris Fashion Week, and wrangling those current calendar members who are always angling for a better spot. And Pascal’s love of innovation and technology has very much come in handy over the past year when, almost overnight, all of the collections - from menswear and womenswear to haute couture moved from real-world runway shows to fully digital experiences that only exist online, on a platform that the Fédération built up to frame the virtual shows as well as enrich them with added content. Including exclusive designer interviews, round table discussions about hot button fashion topics, and in-depth looks at the savoir-faire that is the beating heart of French fashion.

I spoke with Pascal before the Fall/Winter 2021 menswear collections got underway in January about how he sees the fashion week evolving in the future and, as always when I speak with Pascal, I was blown away with his overarching vision when it comes to the fashion industry. It is one of the reasons why I am often part of the crowd that tries to catch his attention at the shows.

Image from Fashion Network website.

Jessica Michault 12/18/20 Jessica Michault 12/18/20

🎙️ Anna Dello Russo

Anna Dello Russo is a fashion force of nature. To the uneducated, she is the eternal star of the concrete catwalk. The colorful, upbeat and sometimes outrageous outfits she wears to the fashion weeks she attends are always the must get shots for the photographers that stalk the streets outside the show venues.

But for those who know Anna, she is much more than a fabulous clothes horse. She is one of the industry’s leading stylists and art directors. After getting a master’s degree in fashion at the Domus Academy in Milan, Anna had the good fortune, right at the start of her career, to cut her teeth at Vogue Italia under the watchful eye of its longtime editor-in-chief Franca Sozzani. There she spent 18 years honing her skills and worked alongside all of the biggest photographers of the 80s and 90s. Then in the year 2000, she was tapped to become the creative director of L’Uomo Vogue before going out on her own as a creative consultant in 2006. She is also currently the fashion editor-at-large for Vogue Japan, creating one iconic cover image after another for the magazine.

Throughout her career, Anna has been paying forward the generosity and mentorship she received from Sozzanni to up and coming stylists. Many of her former assistants have gone on to their own successful careers in the industry after being trained up by Anna. And three years ago she took the concept of giving back even further by becoming the international brand ambassador of the Istituto Marangoni, teaching its students from around the world about how to telegraph their sartorial ideas through visual storytelling that both grabs the viewers’ attention and makes them dream.

Full disclosure, I have known Anna for years and she is hands down one of the most positive, heartful, and generous people working in fashion today. You can always count on Anna to find a way to make any situation fun and unforgettable.

Image from Fashion ABC website.

Jessica Michault 12/12/20 Jessica Michault 12/12/20

🎙️ Steven Kolb

Steven Kolb and I have traveled in the same circles for years. But until this podcast, we never really had the chance to have a deep dive discussion about life in general and more specifically, life in fashion. As the CEO of the CFDA, Steven is basically the ringmaster of New York Fashion Week, so it is a bit difficult to pin him down.

But what I have always appreciated about him is how level headed he is. Even in the eye of the fashion tornado, you can count on Steven to be matter-of-fact with his insights, feedback, and suggestions. Over the years, he has been a driving force behind some of the CFDA’s more important projects, from the CFDA/Vogue Fashion Fund and the CFDA Fashion Incubator program to the CFDA Fashion Awards. Not to mention the many initiatives he, and by extension, the CFDA, have supported over the years that shine a light on issues such as better representation, equity, and inclusivity within the fashion industry.

Just this year Steven launched RUNWAY360 in reaction to the COVID-19 pandemic to create a digital platform for New York fashion designers to show content-rich online presentations of their collections when social distancing made in-person fashion weeks a non-starter. And at the same time, he flipped the script on this year’s CFDA/Vogue Fashion Fund turning it into a fundraiser called A Common Thread to aid those fashion businesses that have been most impacted by the COVID-19 pandemic.

In this podcast, Steven and I talk about where he sees fashion weeks headed in the future, how his outsider’s perspective has helped him be even more effective as the CEO of the CFDA, and what his favorite part of his job is. Also do listen all the way to the end of this podcast because Steven’s answers to my 5 generic fashion questions are just fantastic.

Image from CFDA's website.

Jessica Michault 11/6/20 Jessica Michault 11/6/20

🎙️ Sascha Lilic

Creative director and stylist Sascha Lilic is a fashion month’s fixture. His distinctive look, of a beret and monocle, always makes him easy to spot at a show. You can also always count on Sascha to give you a great sound bite about what he thinks of a presentation, and it’s often something that will make you laugh out loud or blush. Maybe it was all those years working alongside his mentor, the iconic photographer Helmut Newton, who was also known not to mince words, that formed Sascha’s talent for finding the perfect bon mots.

But to be fair, Sascha, who was born in Yugoslavia and grew up in Germany, was always fascinated by the world of fashion and its fundamental transformational properties. By the tender age of 16, he was already working as a hairdresser and make-up artist, before he finally got his first break as a stylist. And once he did, he never looked back.

Sascha became the fashion & creative director of influential 90s era SPOON magazine before moving on to become the editor-in-chief of ABOVE magazine, which Sascha launched in 2004 and sold for a pretty penny right at the height of excess before the global recession of 2008. And since then, he has been using his talents on all sorts of different fashion fronts, as a stylist, fashion consultant, creative director...you name it...if it has to do with fashion and creativity, Sascha is your man.

A claim that is backed up by the laundry list of publications, photographers, and celebrities he has worked with. Which include, but not limited to Vogue, GQ, Vanity Fair, Interview, V Man, Harper's Bazaar, Esquire, Glamour, LʼOfficiel, and Grazia. And besides his longtime collaboration with Newton, Sascha has also teamed up with other leading photographers like Ellen von Unwerth, Norman Jean Roy, and William Klein...and I could go on. His visual eye has transformed everyone from Lana del Rey, Jessica Chastain, Sienna Miller, Rihanna, Lily James, Diane Kruger, Keira Knightley, Lea Seydoux and I could go on and on.

So let’s just say that Sascha has quite a lot of great fashion stories to tell. Which is why I wanted to jump on a zoom call with him for this podcast. To tell us all about his extraordinary life, lived to the fullest, in fashion.

Image from Sascha Lilic website.

Jessica Michault 10/11/20 Jessica Michault 10/11/20

🎙️ Nick Wooster

As Japan Fashion Week is almost upon us, it is fitting that I finally post my Fashion Your Seatbelt interview with Nick Wooster. Nick and I met up at Japan Fashion Week back in October of last year; long before anybody had ever heard the words COVID or Coronavirus. Originally, I had planned on posting this podcast in March, when the last Japan Fashion Week was scheduled to start. But then the world shut down and the fashion week didn’t take place in the real world.

But what do Japan Fashion Week and Nick Wooster have in common? Well, Nick, who is consistently one of the best-dressed men I have ever seen, is a world-class fashion consultant and he has been coming to Japan for years on buying trips. And basically, he has fallen in love with the country. Today he even sits on the jury of the prestigious Tokyo Fashion Award.

In the past, Nick has worked as a buyer at Bergdof Goodman, he was the director of retail merchandising at Calvin Klein, the design director of the Polo Ralph Lauren brand, and later he held the role of the men's fashion director at Neiman Marcus. Over the years there have been a few bumps in the road of his career path, which he will talk about, but today Nick is living his best life as a fashion consultant working with and advising a number of different fashion brands around the world.

Nick feels that it is his love of being a fashion consumer that is part of the reason he has been able to continue to be successful in the fashion sphere. His ability to maintain a user’s point of view makes it possible for him to give his clients clear-eyed opinions and criticisms with the confidence of a true blue luxury consumer.

So sit back and enjoy Nick talking about what he loves most - fashion.

Portrait by Ben Kulo.

Jessica Michault 9/25/20 Jessica Michault 9/25/20

🎙️ Milan Vukmirovic

I am going to be very honest here and say that every time I end up being placed next to Milan Vukmiorvic at the front row of a fashion show, a smile spontaneously forms on my face. And at the exact same moment, I say a little prayer that the show will run a bit later than normal. This is because Milan is just a great front row buddy. He and I end up always getting into these extensive philosophical conversations about the current state of fashion. We discuss the nuances of shifting tides of trends we have picked up over the season and what we both think that might mean for the future of fashion.

So you can imagine that with the current upheaval of the industry, I wanted to find a way to have another front row deep dive debrief with Milan, so the two of us jumped onto a Zoom call to hash things out. And what makes talking with Milan so engrossing is that his career in fashion is so varied and vast. He was a multifaceted creative before that was even a thing.

Just to give you a bit of background. Milan was born in France to a Serbian family and grew up in Paris, he studied at ESMOD and then, after an internship at the Jardins des Modes, in 1996 he co-founded the concept store, Colette. He went on to become a design director for the Gucci Group during the reign of Tom Ford, then came a stint as the creative director of Jil Sander, and after that, he re-launched the magazine L’Officiel Hommes Paris as its editor-in-chief and creative director, where over 7 years he expanded the brand to more than a dozen international versions of the title. In 2007 he returned to designing for a fashion house, this time as the creative director of Trussardi. And as a side hustle, he co-founded The Webster Miami, another ultra-cool concept store. Then in 2011, he launched his own menswear bi-annual book magazine hybrid he named Fashion for Men, of which he remains the editor-in-chief. And if that wasn’t enough, he also took on the duty of menswear creative director of Ports in 2015.

So Milan clearly likes to keep busy. And his work as a buyer, a designer, a stylist, an editor, and a photographer, just to name a few of the titles he has carried over the years, gives him a very unique perspective on the world of fashion. This is why, when we finally were able to connect, I simply pointed Milan in the direction of a topic I wanted to get his thoughts on and let him rip.

I am sure that once you have listened to what he has to say you too will be trying to find a way to sit next to him in the front row of a show.

Jessica Michault 9/18/20 Jessica Michault 9/18/20

🎙️ Carine Bizet

This intro is going to be a very short one. Basically, I want to jump right in and let you all listen for yourself as the French fashion critic Carine Bizet, who is not one to live her life as an open book on Instagram, finally gives us a glimpse into her life in fashion. Carine is one of only a handful of true “take no prisoners”, speak truth to power fashion writers working in the industry.

Louise_Trotter©Lacoste_Cyril_Masson.jpg — Carine Bizet

Well, actually she is no longer working in the industry. Earlier this year, after building a name for herself at Madame Figaro and leaving an indelible black ink mark on Le Monde with her must-read fashion reviews as the renowned French newspaper’s lead fashion journalist, she quietly, with no fan fair or big send-off, decided to leave it all behind. After decades of working at the epicenter of the fashion universe, sitting in the front row at ALL of the shows and interviewing every designer under the sun...that she found worth profiling….Carine decided to start her second act, working in a totally different field. Yes, a creative one, but still a 180-degree change from her career as a writer.

So I felt this was the perfect time to speak with her. To have a no holds barred discussion about what got her interested in fashion in the first place, the current state of the industry, and where she thinks it will go. And why, when she was at the top of her game she decided to walk away from it all to chase a new dream.

Full disclosure. I have known Carine for years and I feel that I can say without a doubt that, in a world where superficial friendships are part of the game, she is ride or die. Carine is one you can count on. She will give it to you straight, whether you are one of her closest friends, a designer, or a billion-dollar fashion house.

Just on a technical side note, I did want to let all you listeners know that Carine and I did our interview over Zoom Video. So don’t be surprised by a couple of very minor audio issues.

And now I am going to turn it over to Carine, because if there is one thing I love to do is listen to her tell it like it is.

Jessica Michault 9/14/20 Jessica Michault 9/14/20

🎙️ Michel Gaubert

For decades in the world of fashion, there has really only been one man who has given the industry its sonographic soundtrack. And that man is Michel Gaubert. Michel eats, sleeps, and breaths music. It has been the framework of what he does in his career, as a sound director for most of the leading fashion houses on the planet, and it has been the guiding force in his life as well. His fascination with music is what pushed him to learn English, move to California in his youth and it is through music that he has made some of his deepest and lifelong friendships.

Michel’s passion for music has always been intertwined with fashion. As early as 5 years old, he dreamed about being a musician; as much for the amazing clothing, they wore as the music they made. Later, at the end of the 1970s, his years-long devotion to music turned into a two-pronged career. During the week he was a buyer of international music for the renowned record store Champs Disques, and on the weekend he was a DJ at the famed Le Palace nightclub.

Karl Lagerfeld was an avid collector of music and it was at Champs Disques that the designer first crossed paths with Michel. Later it would be Lagerfeld that would give Michel his first big break designing the soundtrack for one of his signature shows. And eventually, he would call on Michel to do the music for Chanel as well, the first time with less than 24 hours notice. Their artistic collaborations would continue for close to four decades and span the Chanel, Fendi, and Lagerfeld brands.

Over the years Michel has gone on to create musical memories for brands and designers big and small. From Dior, Valentino, Gucci, and Loewe to Raf Simons, J.W. Anderson, and Jeremy Scott. Not to mention the music he has created for the fashion store Colette, numerous exhibitions, store openings, and global events. His collaborations with designers tend to endure for decades as Michel’s encyclopedic knowledge of music, his collaborative nature, and, without question, his endless positivity and good humor make him someone you just want to spend time with.

If you want to get an even better sense of Michel after listening to this podcast, besides listening to some of the amazing mixes he has created for shows over the years, I suggest following him on Instagram at @MichelGaubert. His feed is a riot and is always an instant pick me up.

Just on a technical side note, I did want to let all you listeners know that Michel and I did our interview over Zoom Video. So don’t be surprised by a couple of very minor audio issues.

Now, it’s time to enjoy the dulcet sound of Michel’s own voice as he talks about the love of his life - music.

Jessica Michault 9/7/20 Jessica Michault 9/7/20

🎙️ Louise Trotter

Sometimes it just feels like destiny when a designer lands at a fashion house. This is the case for British designer Louise Trotter, who took up the mantle of creative director at Lacoste at the tail end of 2018. Growing up she played a considerable amount of tennis and Lacoste was always her go-to label. Her husband is also a bit of a tennis nut and over the years has built up his own collection of Lacoste pieces that take up considerable room in his closet. But perhaps the most profound connection comes from the one that Louise feels with the founder of the company, René Lacoste. His rebellious decision to become a tennis player on his own terms resonated with Louise, who from a very early age knew she wanted to be a fashion designer, a career path that really wasn’t a consideration for most kids growing up in the north England town of Sunderland.

It was René’s moral code and approach to life on and off the courts that Louise connected with. His strategic yet stylish way of playing the game, his sense of fair play, tenacity, and bringing joy into whatever he did, are all values that are close to Louise’s own heart. And it's the reason why, while still riding high after a successful 10-year stint at the label Joseph, she decided to make the leap to Lacoste and become the brand’s first female creative director in the house’s almost 90-year history.

Since her arrival at the house, Louise had been quick to put her own stamp on the label. Her signature aesthetic slants to the oversized; be that silhouettes, patterns and prints, or even the iconic Lacoste crocodile. And her approach to the performance wear heritage of the house has been to look at it as creating clothing that “performs” daily. Day in and day out, week after week. Garments that are so well made, flattering, and still maintain a fashion-forward viewpoint that they are the ones that men and women continually turn to.

But what I found perhaps most appealing about Louise during our interview was that she is all about the work. She is not a diva designer with an ego that could fill a room. If she doesn’t know about something, say having an encyclopedic knowledge about high tech performance fabrics, she says so, takes steps to educate herself, and is always looking to learn new things. She is one of those “best idea wins” designers. Encouraging her staff to speak up and she has created a workplace that promotes teamwork. For Louise, each collection is a new chapter in a continuous journey of sartorial discovery.

After listening to this podcast, and learning about how Louise likes to work, Lacoste is probably going to find itself inundated with resumes from people wanting to learn from a leader who is as open, inclusive, and creative as Louise.

Image from Vogue.

Jessica Michault 8/5/20 Jessica Michault 8/5/20

🎙️ Christian Lacroix

I’ll never forget my first Christian Lacroix fashion show. Watching all of the supermodels walk his catwalk in outfits that mixed colors, patterns, and prints in combinations my mind could never have conceived would ever work together, let alone look as fabulously as they did on the Lacroix catwalk.

Lacroix’s shows were always full of energy, passion, and precision but above all love...with just the perfect dash of joie de vivre added in for good measure. By the end of every show, the audience was always revved up to throw out onto the catwalk, during the grand finale, the single carnation that was systematically placed on each seat at each show throughout the designer’s prodigious career.

That was why, when I showed up at the Dries Van Noten Spring/Summer 2020 fashion show and saw a single carnation sitting on my seat...well...I am going to be honest...my heart skipped a beat. Was this the return of Lacroix I asked myself? And to a certain extent, it was. The famed designer, who had walked away from the catwalk after his fall/winter 2009 haute couture show, was back. This time working in collaboration with Van Noten for one season only.

Let’s just say it was a fashion moment, and the show was certainly a highlight in my career.

But Lacroix hasn’t been in hiding since he stopped doing fashion shows. He turned to theater and Opera houses, creating dreamlike confections for the stage. A place where his theatrical sartorial inclinations were right at home. And also he consulted for big name brands in need of a designer who is a master of the color wheel and has never met a print he doesn’t like.

I spoke with Christian in the wake of his triumphant return to the catwalk. To take a joyful stroll down memory lane together. For me, it was a pure moment of bliss. I know, when you listen to our conversation, it will be one for you as well.

Image from DesignInsiderLive.

Jessica Michault 7/26/20 Jessica Michault 7/26/20

🎙️ Marine Serre

When you meet Marine Serre for the first time, it is hard not to notice; or maybe a better word would be feel, the pent up energy in her diminutive frame. It is easy to understand why she spent years as a child playing tennis at almost a professional level before turning her drive towards design. You can practically see the wheels turning in her head as if she is doing a million things at once. And yet...and I don’t know exactly how... Marine also has a reserved shyness about her. It is a potent and powerful combination that honestly just makes you want to get to know her better.

With all that has happened in the world in the past six months, Marine’s fashion seems almost Cassandra-like. Her signature house is built on the concept of using up-cycled materials to make her garments - and then she presents them in post-apocalyptic themed runway shows., often with her models wearing face masks and gloves, carrying reusable water bottles and armbands made into mini backpacks. Fashion, including her now iconic demi-lune motif full bodysuits, that seem purposely designed with protection from the elements in mind.

The 27-year-old designer was born in the little village of Corrèze in France but by the age of 14 she had left home to pursue her love of art and fashion. She went on to attend the famed La Cambre fashion and design academy in Belgium, graduating with honors in 2016. Then came a string of internships at top houses like Alexander McQueen, Maison Margiela, and Dior before Marine landed a junior designer job at Balenciaga. And it was while she was still working at Balenciaga that, to her surprise and no one else’s, she won the top LVMH Prize in 2017. The youngest designer ever to hold that honor.

Since then, Marine has been on fire. Using all of that crackling energy of hers to expand the number of lines she produces each season to celebrate different aspects of her up-cycling creative esthetic. She also has added into the mix a menswear line, has done collaborations with the likes of Nike and has seen her work worn by global powerhouse females like Beyonce, the group Black Pink and Dua Lipa.

Just on a technical side note, I did want to let all you listeners know that Marine and I did our interview before the global pandemic put the world into confinement, and kept me from accessing this audio recording. So I hope you enjoy taking an auditory trip back in time. When the world was much more innocent and before Marine’s sartorial philosophy became the new normal.

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